Zoos Of Berlin-taxis-2009

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Zoos Of Berlin-Taxis-2009

Release Info -

Artist: Zoos Of Berlin
Album: Taxis
Label: Independent
Playtime: 41:01 min
Genre: Indie
URL: http://www.myspace.com/zoosofberlin
Rip date: 2009-11-16
Street date: 2009-06-24
Size: 55.50 MB
Type: Normal
Quality: 181 kbps / 4410kHz / Joint Stereo
- Release Notes – -

Picture tuxedo-pop: red velour curtains, shined shoes, a penetrating gaze, a
raised martini, and a tip back into the head-swimming swirl of a dream. The
Detroit quartet Zoos of Berlin brings elegance to pop, but still nurtures
fascinations with pulsing reverb and weird, bent atmospherics. With its
waltzy punk shred and its gossamer baroque leanings, Taxis will either baffle
you into some head-shaking, defeated fit, or (hopefully) liberate you into
some shoulder-shaking flare-up, some eureka-moment blurt at finding a
delicious blend of weird and pleasing pop, presented in sweeps of stately
splendor and a burning, guttural coarseness.

Its also a sound that loves the feel of dirt under its suede boots; it can
pivot at any moment to knee you in the guts, often by way of bristly guitar
shred or relentless drum barrage. Take Black In The Sun Room, for example:
tightly locked rhythms burn and punch their way forward with pulsating brass
echoes and a wavy, churning keyboard buzz that intertwines with the guitars
through the chorus; the song stomps its way forward like freaked-up aerobics
with the urgency of escaping a soon-to-be-detonated building. This offsets
recurring themes of feathery melodies and breathy vocals over softer but
thickly-layered textures of warm, fuzzy bass and keyboards.

Juan Matus is an encompassing statement of Zoos of Berlins sweet pop,
stately jazz, and indie-growl. A freer bass shimmies around the edges while a
surf-toned guitar capriciously warbles out a few licks alongside a sun-soaked
trumpet blazing out a shuffling yet fiery melody, all while the keys and
drums lock in for a steady pounding rhythm. This is easily their
jazziest-sounding song, set to an enduring drum beat, blending the wont-quit
punch of punk with the expressive boom of rock, while Kevin Baysons trumpet
awakens from its lazy beachside burn and starts twisting around the space
like a trapeze artist. This song is indicative of numerous moments on Taxis,
where the band showcases its meticulous ear for tone and love for feedback
storms, and where slowed-down vigor-rock runs toward luminescent, dreamy
trudges. Drums lock in then spill around, while the buzzy keyboards sway and
burn over heavenly and haunting feedback howls.

Water Town lets keyboardist Will Yates shred on his Roland, first with some
tinny warbles and then barrel-rolling into a fuzzier lower-range all the
while pulsed by drummer Collin Dupuis and bassist Dan Clarks fervent
rhythms and falling into a dynamic echoed guitar explosion. After Clarks
soothing coo drifts through the pensive, darker ballad Stay by the Ark, we
fall into the danceable disco-revivalism of Electrical Way, with a
hustling, hip-shakeable drum beat and funkified guitars set off by Tevor
Nauds cerebral Bowie/Blunstone delivery and Yates unique clackety-buzzings.

Zoos of Berlin love galvanizing cinematic wonder, a bit of melodrama and
theatrics, Cuban and Afrobeat, jazz they even love punk. Theres no
delineation; it all comes together, and it all comes through. Its a weird
whimsicality that may prove overwhelming. Not completely pop, not completely
noise experimentation, it is, at its heart, a swath of indie-punk shred,
gossamer baroque pop stateliness, expressive jazz penchants, and
goosebump-inducing production.

- Track List -

01. Century Rail ( 3:14)
02. Black In The Sun Room ( 2:08)
03. Formal Is At Noon ( 3:23)
04. Juan Matus ( 6:11)
05. Our Jailor Eats Alone ( 2:01)
06. Water Town ( 3:35)
07. Countess Lessons ( 2:44)
08. Dr. Vine Passing ( 3:57)
09. Stay By The Ark ( 4:11)
10. Electrical Way ( 4:08)
11. Coliseum ( 5:29)

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